A parable of pleasure and peril—this domed dystopia endures as a bold, baroque vision of speculative cinema, where youth is law and escape is heresy.
Tag: Science Fiction
Futuristic, technological, or speculative content
The Gothic Flame
The Order’s spirit is fed by gothic horror, pulp adventure, and weird fiction—a torchbearer fellowship drawn to the eerie, the noble, and the sublime.
Terror on the Tarmac
Temporal dread meets televisual folly. A tale of vanished time, gnashing horrors, and special effects most dire—remembered, alas, for all the wrong reasons.
Vengeance Among the Stars
A tale of age, vengeance, and sacrifice—this operatic return to the Enterprise brings death, dignity, and the franchise’s most enduring reckoning.
A Grand and Quiet Terror
A solemn odyssey of awe and silence—this meditative chapter in the Trek canon trades action for wonder, revealing beauty in cosmic stillness and scale.
Where Gods Tread Lightly
A friend ascends to godhood, and a captain must decide his fate. Power, empathy, and command entwine in this tragic cornerstone of the Star Trek mythos.
Bad Seed in the Stars
A child adrift in space, a ship on edge—Charlie X delivers a chilling parable of power, longing, and the peril of unchecked desire among the stars.
Salt and Shadows
A melancholic first tale from the Star Trek repertoire—mystery, memory, and moral peril entwined in this speculative romance of salt and shadow.
A Tale of Two Strike Groups
Beneath the banner of the 4th Battalion, two noble Strike Groups serve in concert: the skyward Demons of the 881st, and the healing Deth Bunnies of the 666th. One flies, one mends, yet both march as one. A fellowship not of costume, but of care. Two standards. One charge. A thousand ways to serve.
A Uniform of Ages
In our Starfleet persona system, rank is not privilege, but performance—measured in imagination and engagement. Age sets the stage, but participation shapes the role. From line officers to crewmen, all may serve. This is a theatre of the soul, not a pageant of epaulettes. Here, we cast not judgment—but roles.